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Guitar solo

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Соло гитара - mp3 скачать бесплатно, скачать музыку бесплатно - 298 песен

Я — Ритм гитара,соло гитара,ударные (2013) Zvonko.Net – Новинки музыки онлайн Скачивайте онлайн и слушайте музыку бесплатно – любимые песни в mp3

Что может быть лучше, чем наслаждение музыкой на любимом портале музыки Zvonko.net! Музыка - одно из старейших видов исскуства, средством воплощения художественных образов для которого являются звук и тишина, особым образом организованные во времени. Музыка строится из музыкальных звуков. Они обладают определённой высотой (высота основного тона обычно от до субконтроктавы до до — ре пятой октавы (от 16 до 4000 — 4500 Гц). Тембр музыкального звука определяется присутствием обертонов и зависит от источника звука, на zvonko.net все звуки можно скачать в mp3! Громкость музыкального звука, с возможностью прослушать его через mp3 онлайн, не превышает порога болевого ощущения. Музыкальный звук обладает определённой длительностью, иногда в отличном качестве и совершенно бесплатно! Физическая особенность музыкального звука состоит в том, что звуковое давление в нём является периодической функцией времени.

Вы всегда найдете нужную песню онлайн или все песни исполнителя используя поиск по стилям или введя запрос в поисковую строку. После этого, нажав на кнопку "play" или "скачать" вы услышите онлайн соло гитара, электро гитара всем слушать соло или скачаете в mp3 музыку бесплатно van canto quest for roar 1 барабанщик и 5 вокалистов гитара клавиши и соло все поется голосом, гитара соло. Так же вы сможете послушать онлайн бесплатные, все самые новые песни исполнителей. электро гитара всем слушать, van canto и скачать их на телефон, планшет или компьютер.

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    Guitar: Solo Lite - скачать бесплатно Guitar: Solo Lite 2

    Guitar: Solo Lite 2.4.2 для Android

    Guitar: Solo Lite - приложение, с помощью которого можно превратить Ваше Android-устройство в акустическую гитару, и дающее отличную возможность играть свои любимые песни или создавать новые произведения. Реалистичное звучание классической гитары, огромная коллекция аккордов с возможностью их редактирования и множество других функций, позволяющих пользователю насладиться игрой на любимом инструменте.

    Отзывы о Guitar: Solo Lite 2.4.2 для Android

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    Guitar solo на Андроид - электронная гитара с большими возможностями

    Guitar solo

    Настройка основных акордов

    Guitar solo - замечательный симулятор игры на гитаре, предоставляющий вам уникальную возможность почувствовать себя музыкантом. Вы можете менять виды гитар, ставить нужные и первоочередные аккорды для проигрывания композиции.

    Замечательное приложение, которое называется Соло на Гитаре. Вы можете индивидуально играть на каждой струне, но так же вы можете играть боем выбирая нужный аккорд. На игровом поле у вас вмещается около десяти аккордов, которыми можно сыграть большинство композиций.

    Это конечно не настоящая гитара, а всего лишь симулятор, но и на нем можно сыграть очень неплохо, главное приловчиться. Так же удобно приложение своей компактностью и многообразием видов звучаний гитары.

    Звучание можно усилить, ели подключить девайс к колонкам и усилителю, тогда все вокруг смогут оценить вашу композицию. Приложение позволяет играть перебором, что дает возможность исполнять романтичные песни.

    Скачать Guitar solo на Android и при наличии интернет соединения можете загрузить музыку и сыграть её. При смене вида гитары автоматически меняется и основной фон, что делает приложение еще более интересным. При загрузке определенной песни у вас будет возможность просмотреть какие аккорды проигрываются и в какой последовательности, далее просто требуется повторить.

    Для дополнительного контента приложению может понадобиться место, требуется заранее побеспокоиться об этом. При входе в интернет вам выделяется специальный адрес.

    Guitar: Solo - скачать бесплатно Guitar: Solo для Android

    Guitar: Solo Основная информация о программе

    Любите играть на гитаре, но не всегда любимый инструмент можно взять с собой? Этого не скажешь о смартфоне, ведь он практически каждый день с вами. А с приложением Guitar: Solo под рукой будет не только телефон, но и практически настоящая гитара!

    Guitar: Solo преобразит ваше Android устройство в удобную компактную гитару. Поддержка мультитача, которая включается в настройках, сделает игру на инструменте легкой и приятной. Приложение дает возможность не только играть на гитаре, но и скачивать табулатуры, редактировать их, создавать свои. Программа также предоставляет огромный выбор аккордов и удобные диаграммы, которые помогут пользователю понять, как сыграть тот или иной аккорд. В полной версии можно переключаться между классической, акустической и электрогитарой, каждая из них обладает отличным звучанием. Стоит отдельно отметить функцию вибрации, которую можно включить в настройках. С ней вам будет казаться, что вы держите в руках настоящий инструмент. Приятным дополнением является возможность записывать свои композиции, которыми, в дальнейшем, можно поделиться с другом или знакомым.

    100 Greatest Guitar Solos - Статьи - Guitar Time - Развлечения и отдых на гитарную тему

    100 Greatest Guitar Solos

    Прислали коллеги ссылку, которую я просто не мог не опубликовать :)

    Оказывается недавно редакция журнала Guitar World опубликовала сотню самых лучших гитарных соло (по мнению читателей, видимо… скорее всего американских :))

    В этот список вошли только рок-композиции. Поэтому многие замечательные, например, джазовые соло сюда не попали…

    ВНИМАНИЕ. Теперь можно скачать все эти соло и послушать… :) [torrent ]

    Ну а теперь, собственно, лучшие гитарные соло:

    1. Stairway to Heaven – Jimmy Page (Led Zeppelin)

    2. Eruption – Eddie Van Halen (Van Halen)

    3. Freebird – Collins/Rossington (Lynyrd Skynyrd)

    4. Comfortably Numb – David Gilmour (Pink Floyd)

    5. All Along the Watchtower – Jimi Hendrix (Jimi Hendrix Experience)

    6. November Rain – Slash (Guns n’ Roses)

    7. One – Kirk Hammet (Metallica)

    8. Hotel California – Don Felder/Joe Walsh (The Eagles)

    9. Crazy Train – Randy Rhoads (Ozzy Ozbourne)

    10. Crossroads – Eric Clapton (Cream)

    11. Voodoo Chile (Slight Return) – Jimi Hendrix (Jimi Hendrix)

    12. Johnny B. Goode – Chuck Berry (Chuck Berry)

    13. Texas Flood – Stevie Ray Vaughan (Stevie Ray Vaughan)

    14. Layla – Clapton/Allman (Derek and the Dominoes)

    15. Floods – Dimebag Darrel (Pantera)

    16. Heartbreaker – Jimmy Page (Led Zeppelin)

    17. Cliffs of Dover – Eric Johnson (Eric Johnson)

    18. Little Wing – Jimi Hendrix (Jimi Hendrix Experience)

    19. Highway Star – Ritchie Blackmore (Deep Purple)

    20. Bohemian Rhapsody – Brian May (Queen)

    21. Time – David Gilmour (Pink Floyd)

    22. Sultans of Swing – Mark Knopfler (Dire Straits)

    23. Bulls on Parade – Tom Morello (Rage Against the Machine)

    24. Fade to Black – Kirk Hammet (Metallica)

    25. Aqualung – Martin Barre (Jethro Tull)

    26. Smells Like Teen Spirit – Kurt Cobain (Nirvana)

    27. Pride and Joy – Stevie Ray Vaughan (Stevie Ray Vaughan)

    28. Mr. Crowley – Randy Rhoads (Ozzy Ozbourne)

    29. For the Love of God – Steve Vai (Steve Vai)

    30. Surfing With the Alien – Joe Satriani (Joe Satriani)

    31. Stranglehold – Ted Nugent (Ted Nugent)

    32. Machine Gun – Jimi Hendrix (Jimi Hendrix)

    33. The Thrill is Gone – B.B. King (B.B. King)

    34. Paranoid Android – Jonny Greenwood (Radiohead)

    35. Cemetery Gates – Dimebag Darrel (Pantera)

    36. Black Star – Yngwie Malmsteen (Yngwie Malmsteen)

    37. Sweet Child O’ Mine – Slash (Guns n’ Roses)

    38. Whole Lotta Love – Jimmy Page (Led Zeppelin)

    39. Cortez the Killer – Neil Young (Neil Young)

    40. Reelin’ In the Years – Elliot Randall (Steely Dan)

    41. Brighton Rock – Brian May (band:Queen)

    42. While My Guitar Gently Weeps – Eric Clapton (The Beatles)

    43. Sharp Dressed Man – Billy Gibbons (ZZ Top)

    44. Alive – Mike McCready (Pearl Jam)

    45. Light My Fire – Robby Krieger (The Doors)

    46. Hot For Teacher – Eddie Van Halen (Van Halen)

    47. Jessica – Dickey Betts (The Allman Brothers)

    48. Sympathy for the Devil – Keith Richards (The Rolling Stones)

    49. Europa – Carlos Santana (Santana)

    50. Shock Me – Ace Frehley (Kiss)

    51. Master of Puppets – Kirk Hammet (Metallica)

    52. Star Spangled Banner – Jimi Hendrix (Jimi Hendrix)

    53. Since I’ve Been Loving You – Jimmy Page (Led Zeppelin)

    54. Geek USA – Billy Corgan (Smashing Pumpkins)

    55. Satch Boogie – Joe Satriani (Joe Satriani)

    56. War Pigs – Tony Iommi (Black Sabbath)

    57. Walk – Dimebag Darrel (Pantera)

    58. Cocaine – Eric Clapton (Eric Clapton)

    59. You Really Got Me – Dave Davies (The Kinks)

    60. Zoot Allures – Frank Zappa (Frank Zappa)

    61. No More Tears – Zakk Wylde (Ozzy Osbourne)

    62. Money – David Gilmour (Pink Floyd)

    63. Black Hole Sun – Kim Thayil (Soundgarden)

    64. Little Red Corvette – Prince (Prince)

    65. In Bloom – Kurt Cobain (Nirvana)

    66. Blue Sky – Allman/Betts (The Allman Brothers)

    67. Beat It – Eddie Van Halen (Michael Jackson)

    68. Starship Trooper – Steve Howe (Yes)

    69. And Your Bird Can Sing – George Harrison (The Beatles)

    70. Purple Haze – Jimi Hendrix (The Jimi Hendrix Experience)

    71. Maggot Brain – Eddie Hazel (Funkadelic)

    72. Walk This Way – Joe Perry (Aeorosmith)

    73. Stash – Trey Anastasio (Phish)

    74. Lazy – Ritchie Blackmore (Deep Purple)

    75. Won’t Get Fooled Again – Pete Townsend (The Who)

    76. Cinnamon Girl – Neil Young (Neil Young and Crazy Horse)

    77. Man in the Box – Jerry Cantrell (Alice in Chains)

    78. Truckin’ – Jerry Garcia (The Grateful Dead)

    79. Mean Street – Eddie Van Halen (Van Halen)

    80. You Shook Me All Night Long – Angus Young (AC/DC)

    81. Sweet Jane – Hunter/Wagner (The Velvet Underground)

    82. 21st Century Schizoid Man – Robert Fripp (King Crimson)

    83. Scuttle Buttin’ – Stevie Ray Vaughan (Stevie Ray Vaughan)

    84. Santeria – Brad Nowell (Sublime)

    85. Moonage Daydream – Mick Ronson (David Bowie)

    86. Whipping Post – Allman/Betts (The Allman Brothers)

    87. Cult of Personality – Vernon Reid (Living Color)

    88. Kid Charlemagne – Larry Carlton (Steely Dan)

    89. Killing in the Name – Tom Morello (Rage Against the Machine)

    90. Let it Rain – Eric Clapton (Eric Clapton)

    91. Heard It Thu Grapevine – John Fogerty ( CCR )

    92. Stray Cat Strut – Brian Setzer (Stray Cats)

    93. The End – Robbie Krieger (The Doors)

    94. Working Man – Alex Lifeson (Rush)

    95. Yellow Ledbetter – Mike McCready (Pearl Jam)

    96. Honky Tonk Women – Keith Richards (The Rolling Stones)

    97. Cherub Rock – Billy Corgan (Smashing Pumpkins)

    98. Under a Glass Moon – John Petrucci (Dream Theater)

    99. Cause We’ve Ended as Lovers – Jeff Beck (Jeff Beck)

    100. Three Days – Dave Navarro (Jane’s Addiction)

    Ради интереса собрал статистику:

    В сотне лучших соло принимали участие около 70 различных гитаристов, некоторые попали в этот список не один раз:

    6 раз: Jimi Hendrix

    5 раз: Eric Clapton

    4 раза: Jimmy Page. Eddie Van Halen

    В этот список попали 2 различных песни из следующих альбомов:
    • Nevermind (Nirvana)
    • Surfing With the Alien (Joe Satriani)
    • Electric Ladyland (Jimi Hendrix Experience)
    • Texas Flood (Stevie Ray Vaughan)
    • Dark Side of the Moon (Pink Floyd)
    • Siamese Dream (Smashing Pumpkins)
    • Led Zeppelin II (Led Zeppelin)
    • Machine Head (Deep Purple)

    Друзья, понятно, что все эти рейтинги составляют довольно предвзято, поэтому может попробовать создать свой рейтинг. )

    Guitar solo - The Full Wiki

    Encyclopedia From Wikipedia, the free encyclopedia

    For the Fred Frith album, see Guitar Solos .

    Guitar solos are a melodic passage, section, or entire piece of music written for an electric guitar or an acoustic guitar. Guitar solos, which often contain varying degrees of improvisation. are used in many styles of popular music such as blues. rock. metal and jazz styles such as swing and jazz fusion. Guitar solos are also used in classical music forms such as chamber music and concertos .

    Rock music

    Sweep picking on an electric guitar.

    Even though guitar solos are used in a wide range of different genres, the term guitar solo is often taken to refer specifically to the rock music genre. The dramatic, amplified electric guitar solo has become a characteristic part of rock music. Guitar solos are often performed with electric guitar with a timbral effect known as distortion which makes the sound fuller and adds harmonic overtones. Since the 1960s and 1970s, electric guitarists often alter the sound of their guitar adding electronic guitar effects such as reverb or chorus. Guitar Solos reached their height of popularity in the late 1960s to the 1970s, with acts like Pink Floyd. Jimi Hendrix. Eric Clapton ,The Eagles ,The Grateful Dead. The Allman Brothers Band. Led Zeppelin. Deep Purple. Lynyrd Skynyrd. Queen. The Who. Mick Taylor of The Rolling Stones. Cream and other acts. In the 70s, groups such as AC/DC. Judas Priest. Aerosmith. Black Sabbath. Van Halen. and KISS among many other groups carried on the popularity of solos.

    Rock bands often have two guitarists, designated 'lead ' and 'rhythm ', the 'lead' player taking the solos while the 'rhythm' player accompanies them with chords or riffs. Most examples of rock music are based around songs in very traditional forms. The main formal features are therefore verses. choruses. and bridges. The guitar solo is usually the most significant instrumental (that is, non-vocal ) section of a mainstream rock song. In other rock-related genres such as pop and dance music, the keyboard synthesizer usually plays this melodic role.

    This use of a guitar instrumental interlude in rock music has its roots in blues musicians such as John Lee Hooker. Muddy Waters and T-Bone Walker. Ernest Tubb 's 1940 honky tonk classic, "Walking the Floor over You" was the first "hit" recording to feature and highlight a solo by a standard electric guitar--though earlier hits featured electric lap steel guitars. Blues master Lonnie Johnson had also recorded at least once on electric guitar, but his innovation was neither much noted nor influential. These pioneers in turn influenced solos in rhythm and blues (e.g. Bo Diddley ), rock and roll (e.g. Chuck Berry ) and more recent forms of music.

    In most cases, the rock guitar solo is a short instrumental section of the song. In the classic verse-chorus form it quite often falls between the second chorus and third verse. As well, extended guitar solos are sometimes used at the end of songs, such as Lynyrd Skynyrd 's "Free Bird ", Pink Floyd 's "Comfortably Numb ", AC/DC 's "Let There Be Rock ", Outlaws ' "Green Grass and High Tides ", and The Eagles 's "Hotel California ". Solos can also take place in the introduction of a song, such as in "Since I've Been Loving You ", by Led Zeppelin .

    The use of the guitar solo in heavy metal was especially notable during the 1980s, when rapid-fire "shredding " guitar solos were common; a virtuostic lead guitarist of a band might be as well-known as the singer. During this time the use of techniques such as harmonics became more widely used. Later, guitarists who had developed considerable technical facility began to release albums which consisted only of guitar compositions. Guitar solos in popular music went out of fashion in the mid 1990s, coinciding with the rise in popularity nu metal. which does not feature guitar solos prominently. During this period, guitar solos became less prominent in many pop and popular rock music styles; either being trimmed down to a short four-bar transition, or omitted entirely, in a vast departure from the heavy-usage of solos in classic rock music from the 60s, 70s, 80s, and early 90s. Classic rock revival music also heavily features soloing, along with classic rock bands that are still active, as of 2009.

    Bass guitar solos

    While bass guitar solos are not common in popular music, some bands also include bass solos in some songs, particularly heavy metal, funk, and progressive rock bands. Some genres use bass guitar solos in most songs, such as jazz bands or jazz fusion groups. Bass solos are also common in certain styles of punk music. In a rock context, bass guitar solos are structured and performed in a similar fashion as a rock guitar solo, often with the musical accompaniment from the verse or chorus sections. While bass guitar solos appear on few studio albums from rock or pop bands, genres such as progressive rock. fusion -influenced rock, and some types of heavy metal are more likely to include bass solos, both in studio albums and in live performances.

    Bass solos are performed using a range of different techniques, such as plucking or fingerpicking. In the 1960s, The Who 's bassist, John Entwistle. performed a bass break on the song "My Generation " using a pick although he originally intended to use his fingers. This solo is considered by many as the first bass solo ever in Rock music, and it is without any doubt one of the most recognizable ones. Queen's bassist, John Deacon. would occassionally play bass solos, notably in Under Pressure. In the 1970s Aerosmith 's bassist, Tom Hamilton played a bass intro on the song "Sweet Emotion " from their groundbreaking album "Toys in the Attic ". On thrash metal group Metallica 's 1983 debut Kill Em All. bassist Cliff Burton 's well known solo (Anesthesia) Pulling Teeth is featured, and is considered his greatest work by many. Heavy metal bass players such as Geezer Butler (Black Sabbath ), Alex Webster (Cannibal Corpse ), Cliff Burton (Metallica ), Jazz fusion bassist Jaco Pastorius (Weather Report ), and Les Claypool (Primus. Blind Illusion ) used chime-like harmonics and rapid plucking techniques in their bass solos. Geddy Lee of Rush performed a number of solos, most notably in songs such as "YYZ ". Also, in both published Van Halen concert videos, Michael Anthony performs unique maneuvers and actions while performing his solos.

    Funk bassists, such as Larry Graham. began using slapping and popping techniques for their bass solos, which coupled a percussive thumb-slapping technique of the lower strings with an aggressive finger-snap of the higher strings, often in rhythmic alternation. The slap and pop technique incorporates a large number of muted (or 'ghost' tones) to normal notes to add to the rhythmic effect. Slapping and popping solos were prominent in 1980s pop and R&B, and they are still used by some 2000s-era funk and Latin bands.

    When playing bass solos, hard rock and heavy metal bassists sometimes use bass effects such as distortion or wah-wah pedals to produce a more pronounced sound. Due to the lower range of the bass, bass guitar solos usually have a much lighter accompaniment than solos for other instruments. In some cases, the bass guitar solo is unaccompanied, or it is accompanied only by the drums.

    100 Greatest Rock Guitar Solos

    100 Greatest Rock Guitar Solos

    Criteria: Guitar solos are the best display of talent by these musicians. Each guitar solo was ranked mainly for the overall quality of its composition. Originality, complexity, influence, and lasting appeal are also considered.

    1. Comfortably Numb - David Gilmour (Pink Floyd)

    2. Stairway To Heaven - Jimmy Page (Led Zeppelin)

    3. All Along The Watchtower - Jimi Hendrix

    4. Free Bird - Allen Collins (Lynyrd Skynyrd)

    5. Maggot Brain - Edie Hazel (Funkadelic)

    6. Texas Flood - Stevie Ray Vaughan

    7. Eruption - Eddie Van Halen (Van Halen)

    8. Highway Star - Ritchie Blackmore (Deep Purple)

    9. Cause We've Ended As Lovers - Jeff Beck

    10. Hotel California - Don Felder/Joe Walsh (Eagles)

    11. Mr Crowley - Randy Rhoads (Ozzy)

    12. Little Wing - Jimi Hendrix

    13. Time - David Gilmour (Pink Floyd)

    14. Layla - Eric Clapton/Duane Allman (Derek & The Dominos)

    15. Sweet Child O' Mine - Slash (Guns N' Roses)

    16. Cliffs Of Dover - Eric Johnson

    17. Nottingham Lace - Buckethead

    18. For The Love Of God - Steve Vai

    19. Voodoo Child (slight return) - Jimi Hendrix

    20. November Rain - Slash (Guns N' Roses)

    21. Shine On You Crazy Diamond - David Gilmour (Pink Floyd)

    22. Blue Sky - Duane Allman/Dickey Betts (Allman Brothers Band)

    23. Satch Boogie - Joe Satriani

    24. Lazy - Ritchie Blackmore (Deep Purple)

    25. Crazy Train - Randy Rhoads (Ozzy)

    26. White Room - Eric Clapton (Cream)

    27. Rock You Like A Hurricane - Matthias Jabs (Scorpions)

    28. Sultans Of Swing - Mark Knopfler (Dire Straits)

    29. One - Kirk Hammett (Metallica)

    30. No More Tears - Zakk Wylde (Ozzy)

    31. Since I've Been Loving You - Jimmy Page (Led Zeppelin)

    32. Floods - Dimebag Darrel (Pantera)

    33. Black Star - Yngwie Malmsteen

    34. Atom Heart Mother - David Gilmour (Pink Floyd)

    35. Red House - Jimi Hendrix

    36. Big Sur Moon - Buckethead

    37. The Rocker - Eric Bell (Thin Lizzy)

    38. Those Were The Days - Eric Clapton (Cream)

    39. Bohemian Rhapsody - Brian May (Queen)

    40. While My Guitar Gently Weeps - Eric Clapton (The Beatles)

    41. Fade To Black - Kirk Hammett (Metallica)

    42. Dream - John McLaughlin (Mahavishnu Orchestra)

    43. Sound Chaser - Steve Howe (Yes)

    44. Alive - Mike McCready (Pearl Jam)

    45. Mood For A Day - Steve Howe (Yes)

    46. Aqualung - Martin Barre (Jethro Tull)

    47. Stone In Love - Neal Schon (Journey)

    48. Child In Time - Ritchie Blackmore (Deep Purple)

    49. Like A Hurricane - Neil Young

    50. Dreams - Duane Allman (Allman Brothers Band)

    51. Cortez The Killer - Neil Young

    52. Over The Mountain - Randy Rhoads (Ozzy Osbourne)

    53. Money - David Gilmour (Pink Floyd)

    54. Killer Queen - Brian May (Queen)

    55. Two Minutes To Midnight - D. Murray/A. Smith (Iron Maiden)

    56. Why Does Love Got To Be So Sad - D. Allman/E. Clapton (Derek & The Dominos)

    57. Southern Man - Neil Young

    58. Kid Charlemagne - Larry Carlton (Steely Dan)

    59. Surfing With The Alien - Joe Satriani

    60. Little Wing - Stevie Ray Vaughan

    61. Heartbreaker - Jimmy Page (Led Zeppelin)

    62. Too Many Humans - Buckethead

    63. Under A Glass Moon - John Petrucci (Dream Theater)

    64. Desert Rose - Eric Johnson

    65. Dazed And Confused - Jimmy Page (Led Zeppelin)

    66. Tender Surrender - Steve Vai

    67. Still In Love With You - Gary Moore (Thin Lizzy)

    68. Bold As Love - Jimi Hendrix

    69. Don't Keep Me Wondering - Duane Allman (Allman Brothers Band)

    70. Ramblin' Man - Dicky Betts (Allman Brothers Band)

    71. Always With Me Always With You - Joe Satriani

    72. Tale Of Brave Ulysses - Eric Clapton (Cream)

    73. Stranger In A Strange Land - Adrian Smith (Iron Maiden)

    74. You Really Got Me - Dave Davies (The Kinks)

    75. 25 Or 6 To 4 - Terry Kath (Chicago)

    76. Devil Takes The Hindmost - Allan Holdsworth

    77. Have A Cigar - David Gilmour (Pink Floyd)

    78. Trademark - Eric Johnson

    79. La Villa Strangiato - Alex Lifeson (Rush)

    80. Super Stupid - Edie Hazel (Funkadelic)

    81. Stranglehold - Ted Nugent

    82. Beyond The Realms Of Death - Glenn Tipton (Judas Priest)

    83. Bulls On Parade - Tom Morello (Rage Against The Machine)

    84. Unrestrained Growth - Buckethead

    85. Miserlou - Dick Dale

    86. Far Beyond The Sun - Yngwie Malmsteen

    87. Brighton Rock - Brian May (Queen)

    88. Dogs - David Gilmour (Pink Floyd)

    89. Master Of Puppets - Kirk Hammett (Metallica)

    90. Beat It - Eddie Van Halen (Michael Jackson)

    91. Sow Thistle - Buckethead

    92. Whipping Post - Duane Allman/Dicky Betts (Allman Brothers Band)

    93. The Way It Has To Be - Shawn Lane

    94. 21st Century Schizoid Man - Robert Fripp (King Crimson)

    95. War Pigs - Toni Iommi (Black Sabbath)

    96. Dreams - Eddie Van Halen (Van Halen)

    97. Padmasana - Buckethead

    98. Whole Lotta Love - Jimmy Page (Led Zeppelin)

    99. Working Man - Alex Lifeson (Rush)

    100. Love Is The Law - John Squire (Seahorses)

    101. Painkiller - Glenn Tipton/KK Downing (Judas Priest)

    102. Black Magic Woman - Carlos Santana

    103. Fire And Water - Paul Kossoff (Free)

    104. The Loner - Gary Moore (Thin Lizzy)

    105. Wicked World - Tony Iommi (Black Sabbath)

    106. Touch Of Evil - Glenn Tipton (Judas Priest)

    107. Johnny B Goode - Chuck Berry

    108. Mean Street - Eddie Van Halen (Van Halen)

    109. Freewill - Alex Lifeson (Rush)

    110. Blue Wind - Jeff Beck

    111. Know Your Enemy - Tom Morello (Rage Against The Machine)

    112. Lines In The Sand - John Petrucci (Dream Theater)

    113. Yellow Ledbetter - Mike McCready (Pearl Jam)

    114. Sunshine Of Your Love - Eric Clapton (Cream)

    115. Jessica - Dickey Betts (Allman Brothers Band)

    116. Flight Of The Wounded Bumblebee - Nuno Bettencourt (Extreme)

    117. Green Grass and High Tides - Hughie Thomasson, Billy Jones, Henry Paul (Outlaws)

    118. Seventh Son Of A Seventh Son - D. Murray/A. Smith (Iron Maiden)

    119. Anyway You Want It - Neal Schon (Journey)

    120. Nutshell - Jerry Cantrell (Alice In Chains)

    121. Carry On Wayward Son - Kerry Livgren (Kansas)

    122. Dee - Randy Rhoads (Ozzy)

    123. Blues Deluxe - Joe Bonamassa

    124. Radioactive Toy - Steven Wilson (Porcupine Tree)

    125. Not Again - Shawn Lane

    126. Tornado of Souls - Marty Friedman

    127. Achilles Last Stand - Jimmy Page (Led Zeppelin)

    128. High Hopes - David Gilmour (Pink Floyd)

    129. I Could Have Lied - John Frusciante (Red Hot Chili Peppers)

    130. YYZ - Alex Lifeson (Rush)

    131. Crushing Day - Joe Satriani

    132. Scuttle Buttin - Stevie Ray Vaughan

    133. Beck's Bolero - Jeff Beck

    134. Couldn't Stand The Weather - Stevie Ray Vaughan

    135. Man In The Box - Jerry Cantrell (Alice In Chains)

    136. Paradise City - Slash (Guns N' Roses)

    137. Won't Get Fooled Again - Pete Townshend (The Who)

    138. Jigsaw - Steve Rothery (Marillion)

    139. Cemetary Gates - Dimebag Darrel (Pantera)

    140. Fifty Fifty - Frank Zappa

    141. I Want You (Shes So Heavy) - George Harrison (The Beatles)

    142. Hanger 18 - Marty Friedman/Dave Mustaine (Megadeth)

    143. Powerslave - Adrian Smith (Iron Maiden)

    144. Purple Haze - Jimi Hendrix

    145. Robot Man - Uli Jon Roth

    146. Goodbye Pork Pie Hat - Jeff Beck

    147. Whisky In The Jar - Eric Bell (Thin Lizzy)

    148. Punk Sandwich - Steve Morse (Dixie Dregs)

    149. Let The Good Times Roll - Jimi Hendrix

    150. Highway 61 Revisited - Johnny Winter

    151. Colour And The Shape - Joe Bonamassa

    152. Killing In The Name - Tom Morello (Rage Against The Machine)

    153. Sleep Now In The Fire - Tom Morello (Rage Against The Machine)

    154. The Warning - Tony Iommi (Black Sabbath)

    155. Bridge Of Sighs - Robin Trower

    156. Cult Of Personality - Vernon Reid (Living Color)

    157. Starship Trooper - Steve Howe (Yes)

    158. Ice Cream Man - Eddie Van Halen (Van Halen)

    159. Smoke On The Water - Ritchie Blackmore (Deep Purple)

    160. Midnight - Joe Satriani

    161. Too Rolling Stoned - Robin Trower

    162. Badge - Eric Clapton/George Harrison (Cream)

    163. Rime of the Ancient Marriner - Adrian Smith (Iron Maiden)

    164. Wynona's Big Brown Beaver - Larry Lalonde (Primus)

    165. Blue On Black - Kenny Wayne Shepherd

    166. Lovesorrow - Marty Friedman

    167. Orion - Kirk Hammett (Metallica)

    168. Nun Chuka Kata - Buckethead

    169. Sympathy For The Devil - Keith Richards (Rolling Stones)

    170. You Shook Me All Night Long - Angus Young (AC/DC)

    171. Breaking Into Heaven - John Squire (Stone Roses)

    172. Tierra Del Fuego - George Lynch/Derryl Gabel

    173. Circles - Joe Satriani

    174. Hot For Teacher - Eddie Van Halen (Van Halen)

    175. I Heard Her Call My Name - Lou Reed

    176. Jerry Was A Racecar Driver - Larry Lalonde (Primus)

    177. Stash - Trey Anastasio (Phish)

    178. Paranoid Android - Johnny Greenwood (Radiohead)

    179. Sharp Dressed Man - Billy Gibbons (ZZ Top)

    180. Cigarettes - Ty Tabor (King's X)

    181. 2112 - Alex Lifeson (Rush)

    182. The Rock - Pete Townshend (The Who)

    183. Foxy Lady - Jimi Hendrix

    184. Jingo - Carlos Santana

    185. Cinnamon Girl - Neil Young

    186. Liberation - Terry Kath (Chicago)

    187. And Your Bird Can Sing - George Harrison (The Beatles)

    188. Symphony Of Destruction - Marty Friedman (Megadeth)

    189. That Smell - Allen Collins (Lynyrd Skynyrd)

    190. All Right Now - Paul Kossoff (Free)

    191. Evil That Men Do - Adrian Smith (Iron Maiden)

    192. White Summer - Jimmy Page (Led Zeppelin)

    193. H - Adam Jones (Tool)

    194. L'Via L'Viaquez - John Frusciante/Omar A Rodriguez-Lopez (Mars Volta)

    195. The Maze - Vinnie Moore

    196. Evil Ways - Carlos Santana

    197. Piece Of My Heart - Sam Andrew (Big Brother)

    198. Desert Island - Marty Friedman/Jason Becker (Megadeth)

    199. Price You Gotta Pay - Paul Gilbert (Mr Big)

    200. Back In Black - Angus Young (AC/DC)

    201. The End - George Harrison, McCartney and Lennon (The Beatles)

    202. Rock Bottom - Michael Schenkar (UFO)

    203. Hell's Kitchen - John Petrucci (Dream Theater)

    204. Knocking At Your Backdoor - Ritchie Blackmore (Deep Purple)

    205. Midnight Sun - Steve Howe (Yes)

    206. Love Removal Machine - Billy Duffy (The Cult)

    207. It's Not My Cross To Bear - Duane Allman/Dicky Betts (Allman Brothers Band)

    208. Tumeni Notes - Steve Morse (Dixie Dregs)

    209. Presence Of The Lord - Eric Clapton (Blind Faith)

    210. Stone Crazy - Buddy Guy

    211. Revelation - Randy Rhoads (Ozzy)

    212. Home - John Petrucci (Dream Theater)

    213. Catch The Rainbow - Ritchie Blackmore (Rainbow)

    214. Black Hole Sun - Kim Thayil (Soundgarden)

    215. Truckin - Jerry Garcia (Grateful Dead)

    216. Cocaine - Eric Clapton

    217. Speed Metal Symphony - M. Friedman/Jason Becker (Cacophony)

    218. Light My Fire - Robby Krieger (The Doors)

    219. Angel Of Death - Kerry King/Jeff Hanneman (Slayer)

    220. Welcome Home - Kirk Hammett (Metallica)

    221. Something - George Harrison (The Beatles)

    222. I Am The Resurrection - John Squire (Stone Roses)

    223. Voyager - Ronnie Montrose (Montrose)

    224. Tuff Enuff - Jimmie Vaughan (Fabulous Thunderbirds)

    225. Jet City Woman - Chris Degarmo (Queensryche)

    226. Three Days - Dave Navarro (Jane's Addiction)

    227 Stray Cat Strut - Brian Setzer

    228. Reeling In The Years - Elliot Randall (Steely Dan)

    229. Grendel - Steve Rothery (Marillion)

    230. Zoot Allures - Frank Zappa (The Mothers Of Invention)

    231. When The Water Breaks - John Petrucci (Liquid Tension Experiment)

    232. La Grange - Billy Gibbons (ZZ Top)

    233. Walk - Dimebag Darrel (Pantera)

    234. As I Am - John Petrucci (Dream Theater)

    235. Brothers In Arms - Mark Knopfler (Dire Straits)

    236. Crying Machine - Steve Vai/Tony Macalpine (Vai)

    237. Suburban Me - Chris Amott (guest musician for 'In Flames')

    238. Telegraph Road - Mark Knopfler (Dire Straits)

    239. Anyday - Duane Allman (Derek And The Dominoes)

    240. Cruel Reality of Nature - Buckethead

    241. Burn - Ritchie Blackmore (Deep Purple)

    242. The Final Cut - Travis Stever, Claudio Sanchez (Coheed and Cambria)

    50 Greatest Guitar Solos

    50 Greatest Guitar Solos

    Guitar World ranks the 50 greatest solos in rock and roll history.

    50) "Shock Me" (Ace Frehley) - Kiss Alive II. 1977

    “I basically did the same solo every night on that tour, with minor alterations, so I had it kind of planned out when I did it the night we recorded it for Alive II album,” says Ace Frehley.

    “But if you listen carefully to the ‘Shock Me’ solo you can hear me make a mistake about two thirds of the way through. Instead of tapping a B at the 19th fret of the high E string, I accidentally hit the A# note at the 18th fret—that’s definitely a wrong note for the scale I’m using. We could have fixed it in the mix, but I said to Eddie [Kramer. Alive II producer ], ‘Screw it! Leave it in. The run sounds cool, so who cares—it’s rock and roll!’ ”

    49) "Europa" (Carlos Santana) - Carlos Santana Amigos. 1976

    “I started writing this song in 1966 or ’67, but didn’t finish it until ’75 when we were on tour with Earth, Wind and Fire, in Manchester, England,” says Carlos Santana. “We were backstage while they were on stage playing. And we were just warming up, tuning up. I started playing it and [keyboardist] Tom Coster and I completed it right there on the spot. It immediately became a crowd favorite; it is one of those songs that, whether it’s played in Japan or in Jerusalem or in South America, it just fits right in with everything.”

    48) "Sympathy for the Devil" (Keith Richards) - Rolling Stones Beggars Banquet. 1968

    Writer Stanley Booth once suggested to Keith Richards that “Sympathy for the Devil” was cut from the same cloth as bluesman Robert Johnson’s haunting “Me and the Devil Blues.” “Yeah,” Richards replied. “All of us pursued by the same demon.” But while “Sympathy’s” lyrics reflect the Stones’ attraction to the dark side and allegiance to Johnson, the music is a prime example of how in a real band, composition is a group effort.

    “It started as sort of a folk song with acoustics and ended up as kind of a mad samba, with me playing bass and overdubbing the guitar later,” says Richards. “That’s why I don’t like to go into the studio with all the songs worked out and planned beforehand. Because you can write the songs, but you’ve got to give the band something to use its imagination on as well. That can make a very ordinary song come alive into something totally different. You can write down the notes being played, but you can’t put down the X Factor—so important in rock and roll—which is the feel.”

    47) "Jessica" (Dickey Betts) - Allman Brothers Band Brothers and Sisters. 1974

    Dickey Betts’ instrumental “Jessica” is as uplifting a piece of music as can be found in all rock. And that, says Betts, is no coincidence: the music actually began with his desire to express pure jubilation.

    “My instrumentals try to create some of the basic feelings of human interaction, like anger and joy and love,” says Betts. “With ‘Jessica,’ I knew what I wanted to do, but I couldn’t quite find it. Then my little daughter, Jessica, crawled into the room, and I just started playing to her, trying to capture the feeling of her crawling and smiling. That’s why I named it after her.”

    Betts wrote the song’s melodic theme while emulating one of his heroes—the gypsy guitarist Django Rheinhardt, who had the use of only two fingers on his left hand. “I came up with that melody using just two fingers as a sort of tribute to Django,” says Betts. “That the song turned out so well is very satisfying. In general, writing a good instrumental is very fulfilling, because you’ve transcended language and spoken to someone with a melody.”

    46) "Hot For Teacher" (Edward Van Halen) - Van Halen 1984. 1984

    “I winged that one,” says Eddie Van Halen. “If you listen to it, the timing changes in the middle of nowhere. We were in a room playing together and I kind of winked at the guys and said, ‘Okay, we’re changing now!’ Because I don’t count, I just follow my feelings. I tend to do a lot of things in threes and fives, instead of fours.

    “My weird sense of time just drives my brother Alex nuts because he’s a drummer, so he has to count. But generally he’ll say, ‘Well, Ed, you did it in five again. If that’s the way you want it…’ But that’s not the way I want it, that’s just what feels right to me.”

    45) "Light My Fire" (Robby Krieger) - The Doors The Doors. 1967

    “Light My Fire” was one of the first songs ever written by Robby Krieger, and his extended solo on the album version was also one of his shining moments as a guitarist. Ironically, however, in order for “Light My Fire” to become a hit for the Doors and Krieger the songwriter, Krieger the guitarist had to swallow his pride and allow his masterly two-and-a-half-minute solo to be trimmed down to its essential opening and closing themes for use on the single.

    “That always bothered me,” Krieger readily admits. “We never wanted to cut it, but our first single, ‘Break On Through,’ flopped and radio stations told us that ‘Light My Fire’ would be a hit if we cut it down. We didn’t have much choice because AM radio ruled everything, and if you wanted to get on AM you had to have a short song.”

    The longer solo now regularly broadcast on the radio in its entirety, is a perfect distillation of Krieger’s style. A flamenco-trained guitarist who played with his fingers and often evoked sitar-like Eastern sounds, with his Gibson SG, Krieger pulled out all the stops on “Light My Fire.” Still, the guitarist says that the complete version on the album is far from his finest effort. “It was the kind of solo that I usually did, but it was different every night. To be honest, the one on the album is not one of my better takes. I only had two tries at it. But it’s not bad; I’m glad that it was as good as it was.”

    44) "Alive" (Mike McCready) - Pearl Jam Ten. 1991

    “Basically, I copied Ace Frehley’s solo from ‘She,’ ” says Pearl Jam guitarist Mike McCready. “Which, of course, was copied from Robby Krieger’s solo in the Doors’ ‘Five to One.’ ”

    43) "Sharp Dressed Man" (Billy Gibbons) - ZZ Top Eliminator. 1983

    In 1983, a smart gambling man would have bet the house on ZZ Top’s imminent doom. After all, it wasn’t the best of times for good and greasy Texas blues and boogie music. Then the Little Old Band from Texas surprised everyone with Eliminator. a brilliant merger of roadhouse blues and synthesizer swells and looped beats. The album quickly became their biggest hit ever, spurred in large part by the irresistible “Sharp Dressed Man.”

    “That song and the whole album really embrace the simplicity of blues and techno music with the complex challenge of how to blend them together,” says guitarist Billy Gibbons. “If you zero in on the middle solo, you will find a slide guitar part played in open E tuning on a Fender Esquire and a sudden shift halfway through the solo to standard Spanish electric tuning played on my good ol’ Les Paul, Pearly Gates. Both were played through a Marshall plexi 100-watt head with two angled cabinets with Celestion 25-watt greenbacks. It was a compound track, two parts blended to one.

    "To this day, the song certainly stands among one of the band’s favorites and we’re particularly delighted to share spotlight on a solo that enjoys such favoritism. There are, of course, the more intricate and demanding solos, but we will gladly finger through the solo of sharp dressed man at any requested moment! The track just has a really raucous delivery, which is a good ignition point on stage, sitting on the tailgate out in the middle of nowhere, sipping a cold one, or wherever you may be. It just does something to you.”

    42) "While My Guitar Gently Weeps" (Eric Clapton) - The Beatles The Beatles (White Album). 1968

    “When we actually started recording this, it was just me playing the acoustic guitar and singing it, and nobody was interested,” recalls the song’s author, George Harrison. “Well, Ringo probably was, but John and Paul weren’t. When I went home that night, I was really disappointed because I thought, ‘Well, this is really quite a good song; it’s not as if it’s crap!’ And the next day I happened to drive back into London with Eric [Clapton], and I suddenly said, ‘Why don’t you come play on this track?’

    "And he said, ‘Oh, I couldn’t do that; the others wouldn’t like it…’ But I finally said, ‘Well, damn, it’s my song, and I’d like you to come down.’ So he did, and everybody was good as gold because he was there. I sang it with the acoustic guitar with Paul on piano, and Eric and Ringo. Later, Paul overdubbed bass. Then we listened back to it and Eric said, ‘Ah, there’s a problem, though; it’s not Beatlesy enough.’ So we put the song through the ADT [automatic double tracker ] to wobble it a bit.”

    41) "Brighton Rock" (Brian May) - Queen Sheer Heart Attack. 1974

    Universally venerated for his lavish guitar orchestrations and tasteful British restraint, Brian May kicked over the traces on this high energy rocker that leads off Queen’s third album, Sheer Heart Attack. One of May’s most blues-based excursions ever, the song’s extended solo section grew out of the guitarist’s experiments with an Echoplex tape delay unit. His original goal was to reproduce his multi-part guitar harmonies live on stage with Queen, back in the days before harmonizers were invented.

    “I started messing around with the Echoplex, the delay that was available at the time,” May recalls. “I turned up the regeneration until it was giving me multiple repeats. I discovered you could do a lot with this—you could set up rhythms and play against them, or you could play a line and then play a harmony to it. But I decided that the delay [times ] I wanted weren’t available on the Echoplex. So I modified it and made a new rail, which meant I could slide the head along and make the delay any length I wanted, because the physical distance between the two heads is what gave you the delay. Eventually, I had two home-adapted Echoplexes. And I discovered that if you put each echo through its own amp, you wouldn’t have any nasty interference between the two signals. Each amp would be like a full-blown, sustaining, overdriven guitar which didn’t have anything to do with the other one.

    “So, ‘Brighton Rock’ was the first time that got onto a record. I’d already been trying it live on stage in the middle of ‘Son and Daughter’ [from Queen’s self-titled ’73 debut album ], when Queen first toured with Mott the Hoople. It was rather crude at first. But I certainly had a lot of fun with it.”

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